It's been a long time coming but that highly sought after open source mixer, the aurora224 is now available for purchase on the company's website. The aurora mixer is a fully programmable USB mixer complete with 24 back lit knobs, 2 faders, and a single crossfader.
While the instructions on how to assemble your own mixer from scratch have been available for sometime now, many wanted a kit complete with everything needed to avoid having to source the parts themselves.
The aurora mixer is available in 2 versions, a fully assembled turn key deck and a DIY kit that requires the use of a soldering iron and the ability to follow directions.
So, if you've wanted to build your own aurora mixer but never knew where to start, this may be your lucky day. Don't wait too long as you have until September 1st to get your order in.
Reader [Kelly Regan] flies large scale RC planes, but would often need someone call out flight sequences while rehearsing. Not wanting to impose on fellow club members, [Kelly] built a sequencer caller from a cheap MP3 player. It just required extending the FWD key to a pin header. Those pins are connected to a custom switch on the back of the controller. Each maneuver is recorded with 30 seconds of padding and then added to a playlist. Once the maneuver is complete, a quick press of the button moves on to the next track. It's always nice to see people building devices that the consumer electronics industry probably wouldn't.
OpenStomp's Coyote-1 is now available for $349. The guitar effects pedal lets users design and upload their own effects to the device. It has two stomp switches with LEDs, an LCD display, and four user assignable knobs. The back has 1/4" in/out and one selectable 1/4". It also features NTSC composite out, a headphone jack, mini-USB for uploading, and an RJ11 I2C bus for expansion. The processor is a Parallax Propeller Chip. While the OS on the pedal is open source, the hardware design and effect design software are not. You can check out the source and product manual on their forum. If you're more interested in breadboarding hardware, you might like the Beavis Board we covered earlier.
[David Crammer] must really like nightmares. The hurdy gurdy is a stringed musical instrument, dating as far back as the eleventh century A.D., where the strings are sounded via a rosined wheel that is turned with a crank. [Crammer] took this unique instrument, applied his circuit-bending and Furby-scalping skills to generate a Furby Gurdy that sound like Kraftwerk on acid.
[D.St-Amand] is designing the SyncMaster, a compact modular midi controller, from scratch. The design focuses on a modular build where you can swap out pieces like the one pictured above to achieve different layouts. Not only is it modular, but its very compact. Shown next to some common competitors, it looks very sleek.
Development seems to be moving forward, the pictures have been updated frequently. Lets hope to see a fully functional demo some time soon. Some more detailed information on the build might be nice as well. This may remind you of our story on MachineCollective. While there are similarities in that they're modular, SyncMaster appears to be a much more polished and portable product. Keep us updated [D.St-Amand].
The ThingamaKIT is an anthropomorphic analog synthesizer kit from Bleep Labs. Using "LEDacles", photoresistors, knobs, and switches, it generates interesting high pitched vocalizations. Bleep Labs sent us a review unit and this article shares our experiences building and using the kit. We've also included a tutorial on making some hacks, modifications, and circuit bends to it. Skip to the end to see a video of our hacked kit in action.
Pitchfork.tv is showing the documentary Blip Festival: Reformat the Planet for one week only. The Blip Festival is an annual chiptune event in New York City featuring musicians who use video game consoles as part of their production. The documentary has a ton of artist interviews and music from all across the spectrum. Most of the initial featured artists are using the Game Boy LSDJ tracker cartridge. [Nullsleep] has put together a tutorial for the device. You'll see a lot of other old hardware and hear discussions of coveted mods like adding backlights as well. [Mark Denardo] is shown using a PSP as part of his performance. Other people are using software like Fruity Loops to build tracks with Nintendo samples. Honestly, our favorite part was a clip of the loud objects doing a live soldering circuit bending performance on top of an overhead projector at the Bent Festival. Although not musical, Element Labs' Versa TILE makes a fairly mesmerizing backdrop throughout the film too. You can find links to all the featured artists on last year's festival page.
[Julien Bayle] has posted this great breakdown of building an RGB monome clone. He is a musical performer using Ableton Live. He wanted to do away with the need for a computer screen and found that the monome would have been perfect had it been RGB. So he decided to build his own.
The parts list for the entire project is as follows:
He also has files for the schematics and source code as well as information on how to assemble and test it.
The RGB aspect is still under development. He is using the LEDMatrix-Serial Interface-RGB from Sparkfun Electronics to run it. It is expensive, but is exactly what he was looking for.
There aren't very many pictures of the project, and none of the working RGB unit. He makes up for it in sheer information. Many parts have links to manufacturers or support forums. Hopefully he'll post some pictures and video of the final product soon.
[Alison Lewis] has posted this fantastic digital wall harp project at My Home 2.0. They built an infrared MIDI instrument into a wall, using a MidiTron and some IR sensors. It all connects to a computer running a MIDI sequencer via a MIDI to USB converter. The project was built for a family home. They wanted something musical that they could play as easily as waiving their hand. They got it! Simply run your hand under the sensors and play some music!
There's an interesting thread discussing mods to improve the inexpensive Oppo 980 DVD player for better performance. The power supply, capacitors and opamps can benefit from some higher end components. [Occam] suggests several replacement opamps options for upgrading the audio output. The realatively low cost of Oppo gear makes it a better risk than modding a multi-thousand dollar DVD player.
Inspired by [James Houston]'s remix of Radiohead's Nude on obsolete hardware, [bd594] put together this mix of Lipps Inc.'s Funkytown. No sampling was used, but he had to loop the footage of the Avaya dot matrix printer's drum part because it shook the table too much. The guitar and bass line are performed by a Commodore 64. An Intel 14.4 external modem uses DTMF tones for the first part of of the lead and a TI-99/4A beeps out the rest. The TI is also used as a speech synthesizer and a Maxtor harddrive plays the the vocal track.
[Peter Kirn] from Create Digital Music has an article up highlighting many of the great music and visual performance pieces planned for The Last HOPE on Friday night. If you are around New York and not accustomed to hacking conferences, this could be a great excuse to go check it out. Here are some of our favorite projects.
[Gian Pablo Villamil] at NYC Resistor wondered whether it would work with his custom made Rhythmic Synth, and to his and our delight, it does! The Rhythmic Synth is an older project of his; it is a simple rhythm generator with 4 pitch knobs, 4 modulation knobs, and 4 phase switches. The case was taken from an old external Iomega CD-ROM drive.
Getting the Wall-E to dance isn't much of a feat, but something about the dancing combined with a synth with embedded lights just screams robot dance party, and that can never be wrong. We'd love to see the Wall-E dancing to a cleaner, more complete synth: maybe this one. Check out Wall-E busting a move after the break.
Using a webcam, some cardboard, and a bag of Skittles, [Kyle McDonald] created this tangible interface for a beat sequencer. The Skittles are dropped onto the rows which correspond to a drum channel and each Skittle represents an 1/8th note. For such cheap components, the system seems to recognize the sequences pretty quick. This is probably due to some clever programming with the processing back-end. He claims his inspiration was the BallBearing sequencer, which uses the ball bearings as contact switches to determine the sequence rather than having a webcam analyze the surface.
It would be really nice to see this project expanded into a full blown instrument. the webcam could allow for dynamic surfaces and he could certainly add more control to the system with some knobs and/or sliders. He claims these features, and the source, will soon arrive.
